Report: #0180
The oldest
symbol of power is found in the Vatican.
The oldest
symbol in the world—of power and eternal life, as the Vatican itself says—is
right there, in the Vatican's botanical garden. Surprising!
A summary
of who is using this symbolic ornament.
This
symbolic ornament has a name in English: the pinecone.
In Spanish,
it is called piña.
In German,
it is called Fichtenzapfen.
It has the
shape of the fruit of the pine tree.
This ornament, as it is thought to be, has been used since known
civilization existed.
As in the
case of the Sumerians. The origin of this ornament dates back to the beginnings
of the Sumerian people. And the Sumerians are the oldest culture in the world
(known to modern historians; possibly the Atlanteans and Osirians are older,
but they are not yet recognized as such because everything was lost at sea and
only live in legends). The shape of a
pine fruit has been used for thousands of years as a symbol of power, strength,
and eternal energy. The Vatican says this is the symbol of eternal life (that
is, eternal energy from a battery source, atomic energy, or antimatter?). Who
is or was using this symbol? My first
encounter with this symbol was when I became more interested in the Anunnaki,
the gods of the Sumerians.
Look at the
images in my report: # 094 The Anunnakis with a Laser-Transmitter
From there,
it possibly reached India, and the gods of India used it just like the Sumerian
gods, the Anunnaki. It was not yet a symbol but an artifact in use, exclusively
in the power of the gods.
Later, when
Greek civilization was born, the same artifact is seen in sculptures and
reliefs.
I also
found some reliefs and drawings in Egyptian frescoes. So, the gods in the era
of the pharaohs also used this same object.
From the Greeks to the Romans, almost all knowledge was transferred—and
probably this symbol too.
When it
stopped being an artifact in use and began to be an ornament without knowing
its function, it is lost in the darkness of time. Because we don't know when or
why the gods left Earth.
When a god
leaves his people, the reconstruction of many things seen in the power of the
gods begins, but with natural materials, without the use of the technology
these artifacts had. For example, the temples in India are all replicas of the
flying houses the gods used. In hundreds of examples, the desire to imitate
something that worked miraculously is seen.
The problem
is that no one understood the high technology used by these
scientists—astronauts nicknamed gods.
Even in temples, this important object was imitated. The temple of
Angkor is a pinecone in a triple construction.
The
Vatican, appropriating almost all Roman arts—like statues and temples—was also
given the symbols of antiquity.
In the
Catholic Church, there is not a single new holiday. All holidays are on
important dates of ancient gods.
Thus, the
change from one religion to another was not so traumatic. At least, the people
could continue celebrating on the accustomed days.
The change
was more politically important than religious.
No
government does not use religious tendencies to its advantage. The religious
sense of the people is a very great force, and if an emperor can use this
religious mass to cement his throne, he does it. That's how it was.
For
hundreds of years, there were temples of ancient gods and some new Catholic
temples in parallel.
Between
them, logically, there were fights, but coincidentally, the Roman Empire came
to its end and no longer had the strength to protect the old temples of its
millennial gods. Power definitively came
into the hands of the Vatican. And with that, all or a large part of Roman art.
For some
reason, the Vatican is still using this symbol of power today.
I believe
it is a technological artifact not interpreted as such, to hide the
extraterrestrial origin—and the Vatican knows it and is in possession of at
least one of these original artifacts. It may be that it no longer has energy
or that they don't know how to use it, but if they have it, they have it.
At least
for two thousand years, it stopped being an artifact and began its life as an
ornament, but with the hidden symbolism of power, of eternal energy. For the Vatican, this artifact is as
important as it was for all the gods. With this artifact in hand, they
maintained power. Without this miraculous object, they were lost or exposed to
the mercy of the people. The most
important gods, starting with the Anunnaki, did not leave this object lying
around for a moment somewhere. It was so important that they always carried it
in their hand.
Oannes, the
god of water, is seen entering the water with this object in hand.
All the
other gods are seen in their meetings, each with their own object in hand. Each
one carried his own. But only the Anunnaki.
No Sumerian
ruler, like Gilgamesh, had it. Although Gilgamesh was the connection between
the Anunnaki and the Sumerians, Gilgamesh was Sumerian and did not have
authorization to use it.
If it were
just a stone, they wouldn't have carried it with them always.
Continues
in Part II:
Josef Bauer
Photos: 1.) collage
Photos: 2.) Pinecone in Garden botanic of Vatican
Photos: 3.) Temple at Angkor
Photos: 4.) Symbol of Power Artifact
Photos: 5.) Symbol of Power in Vatican
Photos: 6.) Anunnaki
Photos: 7.) Anunnaki
Photos: 8.) God Oannes
Photos: 9.) God Oannes
Photos: 10.) Gilgamesh
