The Oldest Symbol of Power P-I

Report: #0180

The oldest symbol of power is found in the Vatican. 

The oldest symbol in the world—of power and eternal life, as the Vatican itself says—is right there, in the Vatican's botanical garden. Surprising! 

A summary of who is using this symbolic ornament.

This symbolic ornament has a name in English: the pinecone.

In Spanish, it is called piña.

In German, it is called Fichtenzapfen.

It has the shape of the fruit of the pine tree.  This ornament, as it is thought to be, has been used since known civilization existed.

As in the case of the Sumerians. The origin of this ornament dates back to the beginnings of the Sumerian people. And the Sumerians are the oldest culture in the world (known to modern historians; possibly the Atlanteans and Osirians are older, but they are not yet recognized as such because everything was lost at sea and only live in legends).  The shape of a pine fruit has been used for thousands of years as a symbol of power, strength, and eternal energy. The Vatican says this is the symbol of eternal life (that is, eternal energy from a battery source, atomic energy, or antimatter?). Who is or was using this symbol?  My first encounter with this symbol was when I became more interested in the Anunnaki, the gods of the Sumerians. 

Look at the images in my report: # 094 The Anunnakis with a Laser-Transmitter

From there, it possibly reached India, and the gods of India used it just like the Sumerian gods, the Anunnaki. It was not yet a symbol but an artifact in use, exclusively in the power of the gods.

Later, when Greek civilization was born, the same artifact is seen in sculptures and reliefs.

I also found some reliefs and drawings in Egyptian frescoes. So, the gods in the era of the pharaohs also used this same object.  From the Greeks to the Romans, almost all knowledge was transferred—and probably this symbol too.

When it stopped being an artifact in use and began to be an ornament without knowing its function, it is lost in the darkness of time. Because we don't know when or why the gods left Earth.

When a god leaves his people, the reconstruction of many things seen in the power of the gods begins, but with natural materials, without the use of the technology these artifacts had. For example, the temples in India are all replicas of the flying houses the gods used. In hundreds of examples, the desire to imitate something that worked miraculously is seen.

The problem is that no one understood the high technology used by these scientists—astronauts nicknamed gods.  Even in temples, this important object was imitated. The temple of Angkor is a pinecone in a triple construction.  

The Vatican, appropriating almost all Roman arts—like statues and temples—was also given the symbols of antiquity. 

In the Catholic Church, there is not a single new holiday. All holidays are on important dates of ancient gods.

Thus, the change from one religion to another was not so traumatic. At least, the people could continue celebrating on the accustomed days.

The change was more politically important than religious.  

No government does not use religious tendencies to its advantage. The religious sense of the people is a very great force, and if an emperor can use this religious mass to cement his throne, he does it. That's how it was.

For hundreds of years, there were temples of ancient gods and some new Catholic temples in parallel.

Between them, logically, there were fights, but coincidentally, the Roman Empire came to its end and no longer had the strength to protect the old temples of its millennial gods.  Power definitively came into the hands of the Vatican. And with that, all or a large part of Roman art.

For some reason, the Vatican is still using this symbol of power today.

I believe it is a technological artifact not interpreted as such, to hide the extraterrestrial origin—and the Vatican knows it and is in possession of at least one of these original artifacts. It may be that it no longer has energy or that they don't know how to use it, but if they have it, they have it.

At least for two thousand years, it stopped being an artifact and began its life as an ornament, but with the hidden symbolism of power, of eternal energy.  For the Vatican, this artifact is as important as it was for all the gods. With this artifact in hand, they maintained power. Without this miraculous object, they were lost or exposed to the mercy of the people.  The most important gods, starting with the Anunnaki, did not leave this object lying around for a moment somewhere. It was so important that they always carried it in their hand.

Oannes, the god of water, is seen entering the water with this object in hand.

 

All the other gods are seen in their meetings, each with their own object in hand. Each one carried his own. But only the Anunnaki.

No Sumerian ruler, like Gilgamesh, had it. Although Gilgamesh was the connection between the Anunnaki and the Sumerians, Gilgamesh was Sumerian and did not have authorization to use it. 

If it were just a stone, they wouldn't have carried it with them always. 

Continues in Part II: 

Josef Bauer

Photos: 1.) collage
Photos: 2.) Pinecone in Garden botanic of Vatican
Photos: 3.)  Temple at Angkor
Photos: 4.) Symbol of Power Artifact
Photos: 5.) Symbol of Power in Vatican
Photos: 6.) Anunnaki
Photos: 7.) Anunnaki
Photos: 8.) God Oannes
Photos: 9.) God Oannes
Photos: 10.) Gilgamesh