The Oldest Symbol of Power P-II

Report: #0182

We continue with Part II.

After that, the same object is seen tied to the forearms of the Greek gods, like the highest, the god Bacchus, Dionysus, or the Egyptian god Osiris, who represents everything that is reborn.

To compare, the Pope's staff three thousand or more years later. Today, the Pope walks supported on his staff with the symbol of power of all these gods.

Is that not striking? The gods of India had a similar object in one of their sometimes six hands or above their head.

zoom in to see the transmisor

God of India with remote control or transmitter.

As I wrote and ratify, the Anunnaki used a technological artifact. In this image, an Anunnaki with the same artifact as the god from India above.

Logically, they did not explain its function to anyone. They only used it or kept it in reserve in case of danger or urgent need.

It may open an invisible protective wall or be a remote control to send energy to another artifact or to have contact with orbiting stations. Fantasy has no limits. Imagine today a phone with so many applications in a single device. The gods were always connected to each other. All with the ability to fly. Not themselves, but lifting into the air or entering an apparatus with which they could go to the sky or wherever they wanted. They also had logical radio contact. Personal protection was also important.

Throwing a laser beam to confront or stop offensive intentions of the people, knowing geopositioning—that is, geographic data—was important to have constantly.

Likewise, the measurement of time on this planet, the orbit of their station, and possibly their home planet. For that, they wore their watches...  

wristwatch of Anunnakis

Like today, everyone carries a mobile or portable phone with differences in models, so everyone connected in some way with the gods used these artifacts with them. 

This ornament—better said, this artifact—has at least 5,000 years of presence in art and direct use.

It protected and helped almost all the gods of all known civilizations. If that is not a sample or a clear sign of its importance, then what is? 

Even in modern architecture, this magical form has influence.

In London, this enormous building shaped like a pine fruit was constructed, named the Gherkin. It must be for some reason. London is the center of the world's financial power.  

With the farewell of the gods, all their utensils went away too.

The little they left consciously or in the hurry of their departure are today very sacred relics and out of sight—even knowledge—of the people.

If I don't know about something that exists, then I also don't seek to find such an object, and thus these artifacts of the gods can be kept more safely. Because they are nothing other than technological artifacts from an era and civilization alien to ours.  The legends are fabulous, but in the true sense. Not like the stories of a fisherman describing his big fish he caught.

No, the legends of the presence of the gods are true. Letter by letter. Their powers and magics used are true, but not magics—their origin is advanced technology. They flew, lived in the sky, had their palaces in the sky, saw and heard everything (from the Lord you cannot hide, neither in the darkness nor behind your houses. Your sins are before Him, as written in a book...). They destroyed cities or places or palaces with their weapons, flying overhead and dropping bombs or deadly rays.

They had crystals (screens) in which everything was seen. They had eternal lights (electricity), profound knowledge in astronomy and mathematics, plus medicine, and lived eternally.  I believe that the connection between god and man—or in plural, between the gods and men—is undeniable, but not only in a religious sense, also in the connection between two civilizations. One technologically advanced and the other—ours—newly awakened or awakened and initiated by the other. 

There is much to rethink and rewrite in our history.

If these images and my thoughts help a little to open the mind—at least to think about this possibility—it would be an important step for humanity not to take everything as fact. We must think everything again and again, looking from different angles. We lost two thousand years because we denied the coexistence of two civilizations, possibly on two different planets. We were placed in the center of everything, man as the Earth planet, though in truth today we know it is not even close to that.

Yes, we are part of something great. We are part of the universe. Nothing more and nothing less.

But the center in a circle, in an infinite globe, in a closed curve, in a universe unimaginable to us, does not exist—and least of all could we be that center. We share and fill a little this great void that is the universe with our presence. We share in an infinite coexistence with other beings this world.

The sooner we accept it, the better for us. 

Josef Bauer

The oldest symbol of power

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The Oldest Symbol of Power P-I

Report: #0180

The oldest symbol of power is found in the Vatican. 

The oldest symbol in the world—of power and eternal life, as the Vatican itself says—is right there, in the Vatican's botanical garden. Surprising! 

A summary of who is using this symbolic ornament.

This symbolic ornament has a name in English: the pinecone.

In Spanish, it is called piña.

In German, it is called Fichtenzapfen.

It has the shape of the fruit of the pine tree.  This ornament, as it is thought to be, has been used since known civilization existed.

As in the case of the Sumerians. The origin of this ornament dates back to the beginnings of the Sumerian people. And the Sumerians are the oldest culture in the world (known to modern historians; possibly the Atlanteans and Osirians are older, but they are not yet recognized as such because everything was lost at sea and only live in legends).  The shape of a pine fruit has been used for thousands of years as a symbol of power, strength, and eternal energy. The Vatican says this is the symbol of eternal life (that is, eternal energy from a battery source, atomic energy, or antimatter?). Who is or was using this symbol?  My first encounter with this symbol was when I became more interested in the Anunnaki, the gods of the Sumerians. 

Look at the images in my report: # 094 The Anunnakis with a Laser-Transmitter

From there, it possibly reached India, and the gods of India used it just like the Sumerian gods, the Anunnaki. It was not yet a symbol but an artifact in use, exclusively in the power of the gods.

Later, when Greek civilization was born, the same artifact is seen in sculptures and reliefs.

I also found some reliefs and drawings in Egyptian frescoes. So, the gods in the era of the pharaohs also used this same object.  From the Greeks to the Romans, almost all knowledge was transferred—and probably this symbol too.

When it stopped being an artifact in use and began to be an ornament without knowing its function, it is lost in the darkness of time. Because we don't know when or why the gods left Earth.

When a god leaves his people, the reconstruction of many things seen in the power of the gods begins, but with natural materials, without the use of the technology these artifacts had. For example, the temples in India are all replicas of the flying houses the gods used. In hundreds of examples, the desire to imitate something that worked miraculously is seen.

The problem is that no one understood the high technology used by these scientists—astronauts nicknamed gods.  Even in temples, this important object was imitated. The temple of Angkor is a pinecone in a triple construction.  

The Vatican, appropriating almost all Roman arts—like statues and temples—was also given the symbols of antiquity. 

In the Catholic Church, there is not a single new holiday. All holidays are on important dates of ancient gods.

Thus, the change from one religion to another was not so traumatic. At least, the people could continue celebrating on the accustomed days.

The change was more politically important than religious.  

No government does not use religious tendencies to its advantage. The religious sense of the people is a very great force, and if an emperor can use this religious mass to cement his throne, he does it. That's how it was.

For hundreds of years, there were temples of ancient gods and some new Catholic temples in parallel.

Between them, logically, there were fights, but coincidentally, the Roman Empire came to its end and no longer had the strength to protect the old temples of its millennial gods.  Power definitively came into the hands of the Vatican. And with that, all or a large part of Roman art.

For some reason, the Vatican is still using this symbol of power today.

I believe it is a technological artifact not interpreted as such, to hide the extraterrestrial origin—and the Vatican knows it and is in possession of at least one of these original artifacts. It may be that it no longer has energy or that they don't know how to use it, but if they have it, they have it.

At least for two thousand years, it stopped being an artifact and began its life as an ornament, but with the hidden symbolism of power, of eternal energy.  For the Vatican, this artifact is as important as it was for all the gods. With this artifact in hand, they maintained power. Without this miraculous object, they were lost or exposed to the mercy of the people.  The most important gods, starting with the Anunnaki, did not leave this object lying around for a moment somewhere. It was so important that they always carried it in their hand.

Oannes, the god of water, is seen entering the water with this object in hand.

 

All the other gods are seen in their meetings, each with their own object in hand. Each one carried his own. But only the Anunnaki.

No Sumerian ruler, like Gilgamesh, had it. Although Gilgamesh was the connection between the Anunnaki and the Sumerians, Gilgamesh was Sumerian and did not have authorization to use it. 

If it were just a stone, they wouldn't have carried it with them always. 

Continues in Part II: 

Josef Bauer

Photos: 1.) collage
Photos: 2.) Pinecone in Garden botanic of Vatican
Photos: 3.)  Temple at Angkor
Photos: 4.) Symbol of Power Artifact
Photos: 5.) Symbol of Power in Vatican
Photos: 6.) Anunnaki
Photos: 7.) Anunnaki
Photos: 8.) God Oannes
Photos: 9.) God Oannes
Photos: 10.) Gilgamesh

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Another statue of the god Kubero

Report: #0178

Follow the list of gods of India, but my issue is not the gods, but a connection between gods of different ages and countries, shown in the use of similar tools. 

It shows more and after this issue we will look at the similarities in one of my favorite artifacts in the hands of so many characters that have the nickname of being a god or be very close to him. 

Gold, or is that a technological artifact, a weapon or transmitter, same as those who used the Anunnakis 

Josef Bauer

God Vasudhara

God Vaisravana

kubera

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God Vaisravana

Report: #0173

Here we see the god of India with a large collection of gold, or any device with an energy that makes him more powerfully and at his feet on one side the symbol of power and an the other side a huge amount of gold.

Technological artifacts that were given to the god Vaisravana by Brahma himself, the powerful god of the heavens. 

With them, Vaisravana can preserve, defend, and multiply the wealth accumulated in the vast regions of the Earth.  

I will present more gods of this type and, at the end, summarize the connections between them.  

Josef Bauer

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The Knees of the Anunnaki

 

Report: #204  

The Anunnaki have a very particular anatomy of the legs. On one hand, they seem like those of an Olympic athlete. But at the same time, something seems not to be in its place or in the wrong place.

The artists who sculpted these works do not make a mistake by a hair. For some reason, they mark the muscles so exaggeratedly or, like an X-ray, the anatomy of the bones.

If that's the case, it would be a form of bones unknown on Earth. The movement in the step would be something different, and the curved shape of the bones gives me the impression that there is not so much gravity to withstand for this leg, but rather a lateral force, like walking in a river with strong whirlpools or rapids.

It must be known that the Anunnaki were not gods in themselves; they were delegates of the gods. They were close personnel to the gods but had to work on Earth with the help of some technological artifacts—yet it was work. 

To accommodate their stay on Earth, they transformed and adapted the existing life on Earth to be useful in the shared work. 

 

Little by little, man—the Sumerians—took over all this work previously done by the Anunnaki. An analysis of the anatomy of the gods would be a very nice testimony to life and extraterrestrial visits.  

 Josef Bauer
http://marsandufosmysteries.blogspot.com/2010/02/annunakis-with-laser-transmitter.html
http://marsandufosmysteries.blogspot.com/2010/01/wristwatches-from-annunakis-part-8.html
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLHazY_UoR6VFTilD5lONrgNCMnfnbPLFmnj7_Hxvt-rhJIeGff8fhGAivnnI0bt-BA5k7Azcexwaa1F1QLeFyfc4CaojH-yjme0Lul0O-36pHna4jl23eVPEEKe26-dIpkGV8DyxwYO0/s168/godo-fdarknesBateria3v1224121_thumb9.jpg
http://ovnidigiart.blogspot.com/2008/04/los-relojes-de-los-annunakis-los-dioses.html

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The Indian God Kubera with Laser-Transmitter P-I

Report: #0147

I discovered another piece of evidence for the use of modern technological artifacts in the hands of ancient gods. In this case, the gods of ancient India used the same artifacts as the Anunnaki in the time of the Sumerians in Mesopotamia – today's Iraq, parts of Lebanon, and Syria. 

 

The Indian gods – not indigenous! Those from India were powerful gods. Far more so than the Anunnaki, because the Anunnaki, though beings from another planet, were not the ones in charge; they were personnel for the gods of heaven – or heavens.

Because each city in the sky orbited at a different height, and when the Anunnaki ascended in small aircraft, they headed to different cities at their distinct levels, in their distinct heavens.

The Indian gods were the proxies or captains themselves of their gigantic aircraft orbiting Earth. These gods had a mentality toward Earth's people different from other gods. They didn't exploit them but taught them everything, and the gods lived among the people. 

   

Logically, with their powers. But the presence of gods in India was so common that sightings of ships flying among clouds, ascending and descending, were normal, everyday occurrences. They weren't miracles or incomprehensible magic. No, the gods described the materials of their technology exactly – though surely much was not understood. But who today understands anything about 32-nanometer electronic circuits, or monitors or phones with touch screens?

We know it's not magic, but it's such a complicated ensemble of so much technology, different materials, and programs that it surpasses people's knowledge. So many specializations are needed to understand a function that it was impossible in ancient India to grasp it all. But no one fell to the ground in fear at the gods' presence. 

 

They came from heaven with great power, helped, and were always there. Fear comes from misunderstanding or the disguise of technology interpreted as magic.

No, in India, the presence of gods on Earth and in heaven – inhabited by the gods – was normal, because they were capable of flying.

Temples and statues are full of gods, their flying houses, or other artifacts not interpreted as technological.   

 

Kubera, the treasurer of the gods, carries in his hand something very important. Though it looks like gold and his role was treasurer, I don't believe he holds a kilo of gold in his hand – but an artifact that protects him in case of urgency, facilitates communication, or provides protection.  Kubera, the Indian god, with an energy transmitter in his hand. Very similar to those of the Anunnaki. 

   

Which I presented in several previous reports. You can see them in the tags below. You can see thus on the labels under Aliens/gods 02

Or the link to the story on
The Annunakis with a Laser-Transmitter
The god´s of the darkness - the new video from the goetterfreund

Josef Bauer

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More than one folk chosen by God

Report: #0142

There were another people chosen by God.

Stones speak more than writings.

I discovered – besides the Israelites – another people chosen by the gods: the Olmecs and their heirs, the Toltecs. 

This connection isn't clear yet, but the Olmecs' treasures were guarded and hidden when Olmec power ended. Like sects in the West, in South America too, a group of shamans preserved the secrets and technological power under their care. Just as the holy ark is guarded and cared for to this day in some secret place, so were some artifacts – delivered to the Olmec people by the gods themselves in the past – hidden for hundreds of years. When the time was right, all or some of these artifacts were handed over, and the new tribe – the society of the Toltecs – could use them and impose authority over other tribes.  

The Olmecs – a Mexican tribe, a society that lived in the jungle in southern Mexico 3,550 years ago – is the mother of Central American cultures. Even the Inca empire claims it as its own. The origin of the Olmecs is mysterious and cannot be satisfactorily clarified. They share this experience with many ancient cultures. More likely is the loss of documents, if they were ever written, or simply the lack of documentation in the place and era of those times.  As I've recounted many times, fortunately, every culture – as soon as a society begins – creates cultural works, works of art. Reliefs, sculptures, statues, and writings engraved in stone. 

These are the unique testimony of eras of glory, of a people's daily life in motion. These reliefs tell us, often with faithful precision without fantasy, the relevant facts. Though sometimes recounting something very normal from the era – like bringing water from a well in an earthen container, possibly formed and fired in ovens as we do today with table plates, tea glasses, or pots for ornamental plants – seems not worth the effort to carve such a scene in stone. 

But luckily, they didn't think so back then. Today, we can read between the lines, between the drawings of ornaments – and even these tell us much about their sense of aesthetics, of beauty.  The ornament indicates they were cultured. They knew such a form was beautiful and lovely, so they placed these ornaments around a narrative. We do the same when we put a photo of our loved ones in a special frame. Sometimes carved wood – or today, less cultured, cheaper plastic frames imitating something that was once at least as lovely and difficult to make as the portrait itself, whether in oil or stone.  The frame of a relief – whatever its material – is the finishing touch, the completion of a work. We've just talked about the aesthetic sense conveyed by a relief having a frame. 

We haven't yet analyzed the motif of the scene, the material, or least of all the tool used to fabricate a relief. Analyzing the whole set gives us far more knowledge about an artist – and thus their people – than reading writings, which are logically crucial keys to understanding and knowing the names of rulers, the people's names... But in the case of the Olmecs, we don't even know what they called themselves. Only from other peoples who survived in time did they receive names – and in this case, they were called Olmecs.  

If a people spends on works, it means they have surplus to eat. They can feed people who don't produce food. That is, work is organized. One group hunts, others cultivate, others build homes and make utensils like weapons, plates, clothing... Writing isn't yet needed. We've already read a lot. We already know a lot without analyzing a relief's content. What do we know so far? A tribe in the jungle, normally occupied daily with survival, initiates new behavior. They settle in one place. There, they build homes and cultivate plants around for their food. 

This leap in behavior has never been pronounced with sufficient respect and surprise. It's taken as normal. It's not normal! 

Instead of hunting, you put a seed in the ground and wait five months to harvest the fruit, grain, or entire plant. So many new tools must be invented that it seems impossible they did it again and again. If today you changed from being a writer at a desk, for example, to a producer on an organic farm – that is, without chemicals and far from civilization – you'd have to prepare all the tools. You carry in your mind the plan for many of them. You have the patents of many artifacts in your head and transform them in the jungle into something useful with the materials the forest gives. But if you didn't know what utensil to use to prepare the soil for sowing, who gives you all the ideas at once? You also want to know when it's full moon, which season is coldest or hottest, which seed is sown on which date, and what to do with the seed after harvest. 

How can it be eaten? 

Who invented ground grain mixed with water? Pasta. And who first placed it on a hot stone to bake it? 

It's easy to eat daily bread, but was it easy to invent it? It's easy to bring water in a glass or large jug, but who indicates that from clay you can form the shape of a jug, put it in fire, and it hardens to store almost any food – not just water? If you want to see yourself in a mirror, first you have to know mirrors exist, and second, what material they're made of. You still couldn't make one. The Olmecs had mirrors that, in themselves, were a miracle. Almost like a hologram, the image reflected on both sides of whoever or whatever approached the mirror. This artifact is an OOPART – an out-of-place artifact. An artifact unknown – and less so its manufacture in stone, not silica, which is burned sand, i.e., glass. 

Possibly, another gift from a god to a human goddess.  There are so many inventions that surely man made, but almost every culture that suddenly began speaks of divine masters, gods who taught them everything. 

That's how it was. Man always received instructions from the gods. If they didn't listen, the consequences were harsh. 

If a people has knowledge of all sciences at the same time – even feels love for the beautiful, for aesthetics in works, even in construction of a home, whether temple or house – then a link is missing in evolution. Also, a society, a technology, an organization must evolve. Or someone creates it. Some god gives instructions, and there – like a supernova, a solar explosion – a people rises. 

If built with technology, knowing direction and pole axis, knowing cosmic frequencies crossing Earth diagonally hundreds or thousands of times, then it's not wrong to speak of masters, instructors. The gods always accompanied man. Possibly, they created him at his appearance, as the Bible says, faithful to its letters. Some peoples were more beloved or more important to the gods than others.

Not all peoples are equal before God's eyes. Some peoples He lifted from Earth's surface, like wind lifts sand and drops it in the desert. To other peoples, He facilitated a safer life and more power against enemies. 

We are not – and never were – equal before God or the gods. 

Moses and his people were chosen, and thanks to the sacred texts transmitted in writing to our times, we have knowledge of that. 

The Olmecs were also a chosen people of the gods. Just in another place – and unfortunately, everything this culture had was lost, except the stone works.  These statues of soldiers from the Toltec culture – seen in the city of Tula as the Giant Atlanteans – have a very modern appearance. They carry non-common artifacts, not invented in that era. 

Not only do they wear shoes, pants, shirts, or long-sleeved sweaters – batteries for their war equipment, including laser or taser weapons. They defended at a distance, not in hand-to-hand combat. God delivered weapons, batteries, and light reflectors to the Olmec people – His chosen people in this part of the world – but was absent for some reason and left everything in the hands of a group, His powerful arms for the defense of His chosen people. They were a faithful people to their god. Only because of the great trust the gods had in them did they deliver weapons made by the gods. An enormous privilege. The Olmecs held power for 1,700 years – meaning the great power they had at their disposal.  

The Olmecs used gods' weapons, just like Moses. 

When Olmec society gradually disintegrated – as seen in all history – the initiates in the most sacred secrets, whether a sect or group of shamans, began to withdraw and hide everything sacred, awaiting the gods' return, whenever it may be. 

That happened hundreds of years later. There, all or some of these hidden artifacts were delivered to the new leaders – the new protected of the gods. The Toltecs were the chosen heirs. 

Of that, another time.  

Josef Bauer

The Weapons of the Olmec

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The Soldiers of the Olmecs

 

 

Report: #0154

For the defense of their territory, an elite group was formed – specialized and equipped with extraterrestrial technology.

The Olmec soldiers were well-trained athletes but also technicians, with solid strategic instructions and trained in the use of technology unknown to their enemies. A small group was sufficient to defend the people from any threat from hostile tribes.

With their modern weapons, they could kill or immobilize hundreds of attackers with little effort. Their weapons were technologically thousands of years ahead. They used laser rifles or tasers.  The laser pierces and burns the attacker with its searing beam.

The taser delivers an electric shock that terrifies and immobilizes for a time, without wounding or killing the enemy.  

 

Thus, the surprise was even greater when they saw an immobilized body suddenly rise again. Greater still was the fear the enemies felt afterward.

What great warriors the Olmecs were – that's surely what was said in their surroundings. Without touching the enemy, they could kill or immobilize anyone. Like gods. The enemy's life depended solely on the soldier's will.  

It's already surprising that the Olmecs used these weapons. More surprising still that the gods gave them arms described in many stories from other cultures – but always in the gods' hands. 

The Olmecs were possibly a select people of the gods, and they, in turn, faithful to their gods. They surely had a unique character and were highly disciplined in handling these divine artifacts.  

 

It's recalled that Moses too received a powerful weapon to defend his people – the only historical account where a human receives an arm from a god. Now, I have certainty: He wasn't the only one.

The Olmecs were also a chosen people of the gods.  

Greetings to my Mexican friends and respect to the descendants of the Olmecs. Though the Olmec people disintegrated, their genetic material lives on in some individuals. I believe they can be very proud of their origin. Not all peoples are chosen by the gods. Though some claim it today, not all are worthy.  

Josef Bauer

The Olmec and the ANNUNAKIS used the same Power

The Weapons of the Olmec

Laser-Gun or Taser in the hands of the Olmecs

the video: The Laser-Gun of the Olmec

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Taser or Laser-Gun in the Hands of the Olmecs

 

Report: #0140

The mystery of the Olmecs remains unsolved. Only a few stone sculptures bear witness to this great jungle culture of Mexico. They appeared 3,550 years ago and maintained power as an indigenous tribe of unknown origin in the occupied territory for nearly 1,700 years. 

They had modest knowledge of astronomy and knew how to work extraordinarily hard stones, like basalt. How and why did they transport heavy stones from quarries more than 100 kilometers away to low-lying places? It's unknown. It's said they lived on the heights of some volcanic mountains and, over time, began seeking more fertile lands. Knowing how to work very hard materials means having even harder tools. But we're talking about remote times, far from cultures more advanced in metallurgy. What were their tools? Is it possible that a select group of gods received tools that served as both weapons and stone modelers – like a modern laser?  

 

A laser can cut any material, burn, and evaporate stones easily. Using a laser to carve stones? At the same time, using it for defense.

 

A portable laser would be the ideal tool for sculpting stone and defending against enemies. An example of advanced technology use is seen in these stone sculptures of robots or soldiers, carved with such exact details that only a first-hand observer could have created them.  

 

Many times, these drawings or stone statues are attributed to an artist's fantasy. There aren't many surrealist artists in the modern era. That's why surrealist paintings are so expensive. The fantasy of something nonexistent is very difficult for the human mind.

Creating surreal things and rendering them in hard-to-handle materials is superhuman work – mentally and physically.

 

It's safer to assume it's a testimony or replica of something real and existing before the artist's eyes. Because many scientists always seek explanations in fantasy, in the abstract, without thinking that abstract thinking costs humans much more than copying something existing. The reader of my reflections must not forget that they didn't have blocks of 500 sheets of paper to draw whatever they wanted. Today, you make a drawing, don't like it, and repeat it on a new sheet. Try the same with a stone someone brought from 100 kilometers away and let your surreal fantasies take over.

I wouldn't dare start. What if the stone supplier doesn't like the portrait? Horrible. A sure death. That is, what was made in stone was right in front of the artist as he replicated it. Surrealism was born in modern times, with sufficient materials at hand and without worry if someone likes it or not. But never, in ancient times, were works made with such sacrifice to be modern, surrealist, or fantastic. Art never had room for a fantastic dreamer's madness. Therefore, all art – and in all cultures – is the best testimony of a culture. 

Everything we see today in stones thousands of years old is a copy of a moment from that era. A moment frozen in time to narrate what was seen in those days. Just like that, without other explanation. What I see in these statues of soldiers is a testimony – not anyone's fantasy. Not mine either. The soldiers hold a technological artifact in their hands. I don't care if it's possible 3,700 years ago. It's there. It's not a weapon for hand-to-hand combat. Not a stick to hit with. Not something cutting. It's simply an artifact that can launch energy at a distance. 

Whether a laser to pierce or burn the enemy or a taser to shoot electricity – we can't say. But it's something for attacking or defending at range. Moreover, as a sign of advanced technology, the grip of this weapon is ergonomically correct. The balance of this weapon is exact and ergonomic. The word "ergonomic" is used in modern design science. Today's designer consults doctors and anatomists so any utensil adapts to the anatomical form of man. The use of the computer mouse is an excellent example: It fits the hand's shape. All movements are smooth, without tiring a muscle. Today's hammer is no longer a heavy stone but an elegant, well-balanced tool. 

That's how this weapon is: Well adapted to a man's hands and strength.  The Olmecs had contact with space gods. For some reason – perhaps their loyalty to their god – they received dangerous weapons for their defense while the gods were away. I imagine the gods' return was delayed, and the charge in these weapons ran out over time, losing effectiveness. That was the moment when other tribes rose against the Olmec empire. If I'm wrong, it's not by much. 

Josef Bauer

Images: http://ovnidigiart.blogspot.com/
http://ovnidigiart.blogspot.com/2008/07/las-armas-de-las-olmecas.html
the video: http://marsandufosmysteries.blogspot.com/2008/07/olmecs-with-laserguns-of-gods.html

the video: Olmecs laser gun

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